Resume

  • American Conservatory Theater (A.C.T.) | Sound & Video Design Associate, 2025 - Present

    TheatreWorks Silicon Valley, Redwood City, CA | Sound Supervisor, 2023 - Present

    City Lights Theater Company, San Jose, CA | Sound & Video Engineer, 2021 - Present

    EnActe Arts, Sunnyvale, CA | Production Manager & Technical Director, 2020-2022

  • Stanford University | BA, Theater & Performance Studies, Theatre-making emphasis. Advisor: Rush Rehm.

    Intimacy Directors and Coordinators | Level 1 & 2 Consent-Forward Artist Program

  • Alexander Stewart Prize for Contribution to Production, Stanford University, 2019: $500

    IGNITE Fund, Crowded Fire Theater, 2024: $1,250

  • Theatrical Sound Designers & Composers Association (TSDCA), Member since 2022

    Association for Sound Design & Production (ASDP), Associate Member since 2024

    Audio Engineering Society (AES), Member since 2024

  • Mix Consoles:

    • Yamaha CL, QL, M7, and LS9

    • Allen & Heath SQ series, QU16

    • Midas M32

    • Behringer X32

    Software:

    • Playback: QLab 4, 5 | PanLab 3 | macroLab | Cue Wizard

    • Drafting/modeling: MAPP3D | draw.io

    • DAWs: Logic Pro X | WAVES Tracks Live

    • Console control: TheatreMix | WAVES SuperRack Performer

    • System: Open Sound Meter | Shure Wireless Workbench 6, 7

    • Editing: Sound Particles

    • Organizational: Microsoft Suite | Google Suite | DropBox | Slack | Zoom | Notion

    • Other: Companion | Stream Deck | Vor | OBS | ZoomOSC

    Other:

    Technical procedures for straight plays and musicals: audio needs assessment, planning, and execution; documentation for production, distribution, and archiving; audio team coordination, microphone mount design, speaker system design, recording and mixing principles

    Strong experience collaborating with various departments to coordinate safe, effective, and reliable speaker and microphone systems

    Managing live performance projects exceeding a $300k budget

    Scheduling, budgeting, and facilitating communication and design/production processes for teams of up to 35

    Working around last-minute needs and challenging from a technical and management perspectiveItem description

  • The Play That Goes Wrong by Henry Lewis, Henry Shields, and Jonathan Sayer, Sound Designer. San Francisco Playhouse, San Francisco, CA. Directed by Susi Damilano. Staged theatre production.

    Assassins by Stephen Sondheim and John Weidman, Sound Designer. Stanford University Theatre & Performance Studies Department, Stanford, CA. Directed by Karina Gutierrez. Staged musical theatre production.

    The 39 Stepsby Patrick Barlow, John Buchan, and Alfred Hitchcock, Sound Designer & Composer. San Francisco Playhouse. Directed by Susi Damillano. Staged theatre production.

    1984 by George Orwell, Robert Owens, Wilton E. Hall, Jr., and William A. Miles, Jr., Sound Designer & Composer. San José State University Department of Film and Theatre. Directed by Scott Cummins. Staged theatre production.

    Legally Blonde, by Heather Hach, Laurence O’Keefe, and Nell Benjamin, Sound Designer. Foothill College Theatre Arts Department, Los Altos Hills, CA. Directed by Milissa Carey. Staged musical theatre production.

    Giants Have Us In Their Books by José Rivera, Associate Sound Designer, Santa Clara University, Santa Clara, CA. Directed by Karina Gutierrez. Staged theatre production.

    A Chorus Line by Marvin Hamlisch, Edward Kleban, James Kirkwood, Jr., and Nicholas Dante, Co-Sound Designer. San Francisco Playhouse, San Francisco, CA. Directed by Bill English. Staged theatre production.

    Clue by Sandy Rustin, Sound Designer, San Francisco Playhouse, San Francisco, CA. Directed by Susi Damilano. Staged theatre production.

    Madame Ong by Zoe Ryu, Sound Designer. Stanford University Department of Theater & Performance Studies, Stanford, CA. Directed by Zoe Ryu. Staged theatre production.

    To The Bone by Lisa Ramirez, Associate Sound Designer (to Erik Sunderman). Santa Clara University Department of Theater, Santa Clara, CA. Directed by Karina Gutierrez. Staged theatre production.

    The Wolves by Sarah DeLappe, Sound Design Consultant. Santa Clara University Department of Theater, Santa Clara, CA. Directed by Kimberly Mohne Hill. Staged theatre production.

    My Arab by Samer Al-Saber, Sound Designer. Stanford University Department of Theater & Performance Studies, Stanford, CA. Directed by Samer Al-Saber. Staged workshop production.

    As Soon As Impossible by Betty Shamieh, Sound Designer. Stanford University Department of Theater & Performance Studies, Stanford, CA. Directed by Samer Al-Saber. Staged theatre production.

    As Soon As Impossible by Betty Shamieh, Sound Designer. TheatreWorks Silicon Valley, Palo Alto, CA. Directed by Samer Al-Saber. Virtual staged read.

  • Ren’s Winter Wonderland, Mix Engineer. City Lights Theater Company and Ren Geisick, San Jose, CA. Jazz music concert.

    Lippa @ 60, Mix Engineer. TheatreWorks Silicon Valley and Andrew Lippa, Palo Alto, CA. Staged musical revue.

    Nineteen: A Tribute to Al Jarreau, A1. Nineteen, San Jose, CA. Jazz music concert.

    Annual HDSA Northern California Conference, A/V Technician, Huntington’s Disease Association of America Northern California Chapter, Sacramento, CA. Academic conference.

    Ruby Jubilee, A/V Technician, City Lights Theater Company, San Jose, CA. Gala event.

    San Francisco Tape Music Festival, Audio Engineer, San Francisco Tape Music Collective, San Francisco, CA. Tape music concert.